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At Home with Rita Deverell

For many years, Rita Shelton Deverell wanted to produce a docudrama about a remarkable woman. But other careers got in the way. Blog Photo - Rita at PodiumThe actor, playwright and docudrama-maker has also worked as a TV presenter and head of current affairs for Vision TV, the Canadian network she co-founded; news director (mentoring her successor) at APTN, the Aboriginal People’s TV Network; professor of journalism and women’s studies in  two Canadian universities;

Her achievements earned her a place in the Order of Canada – Canada’s highest honour.

At last, Rita is writing the docudrama screenplay about Florence James.  She’s writing it at her country home in the ‘Sugar Bush’, outside Toronto.Blog Photo - Back Deck and Chairs “We bought the country place 22 years ago when our son graduated from high school. Thereafter we started to rent apartments in Toronto.  There have been five Toronto apartments in 22 years (plus two in Winnipeg, and one in Halifax where I worked three-year stints). The ‘Sugar Bush’ house remains home throughout these moves and always welcomes us.” Blog Photo - Rita Living Room closer Like Rita, Florence James found a productive life and award-winning career in Canada.  Rita came to Canada from Texas as a young woman, but Florence came here past age 60, after some terrible events.

“‘McCarthy and the Old Woman’ is about a feisty, resilient real-life heroine who lost everything because of the communist witch-hunts in the USA.  Florence James was blacklisted and bankrupted.  She survived the loss of her money, reputation, life’s work, her home and the death of her husband.”

The planning, creative thinking and writing for the docudrama are taking place here. Two writers live here. Rita’s husband Rex is a well-known playwright. Each has an office on the house’s lower level.Blog Photo - Rita Dining Room “Sometimes I write and plan in longhand at the drum table. But I have to get the feeling that I’m ‘going to work’. Rex has never gone to an office, so I have to keep his joke-telling self away from my work space.” Blog Photo - Desk Rita’s homes – country and city – are beautifully designed – by her.  They are bright, comfortable, unpretentious places, where history, art, houseplants and flowers mix. Many objects were passed down from Rex and Rita’s parents. Blog Photo - Rit's Small table “Every place in the large five-area living space is for my favourite leisure time activity, reading detective fiction. Blog Photo - Rita in CountryEntrance “We have lots of family pieces by now: the drum table was my mother’s. Blog Photo - Rita Drum Table in Sun Nook “The small desk and dining room table were Rex’s mother’s. The rocking chair was Rex’s grandfather’s, though not upholstered in leopard print. Blog Photo - Living room side shot “Outside, the yellow Muskoka chair is really the place I love to sit and dream and have nothing to do.” Blog Photo - Front Deck and Chair “I’m a home addict. The trivial side is I love to look at houses, read the real estate ads all the time, adore interior decorating, and can be cheered up by having a design idea.

“The important thing though is I’m an introvert, and actually draw my energy by starting each day from home base. That’s a place where my life is ordered, feels controllable, and beautiful. Then I can go out into the world and deal better with the dis-ordered, un-controllable, and sometimes ugly.”

Recently, another of Rita’s projects was launched to positive reviews.  It’s a multimedia, educational kit called ‘Women, Contemporary Aboriginal Issues and Resistance’. Free and downloadable, it includes a DVD:

http://www.msvu.ca/en/home/research/centresandinstitutes/IWGSJ/Events/ToolKit.aspx

Photos by Rex Deverell.

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The Porch – by Guest Writer Heather Beveridge

Dark green paint was the colour of almost every two-story house in Toronto’s east end.

Blog Photo - old semi with green front porch

If you were very bold, the house was painted deep red with an ecru trim.  My mother didn’t want to stand out in a crowd or cause a row in the neighborhood, so she insisted that our house exterior be painted the standard dark green trim with a white porch. The porch floor was painted grey.

Painting the outside of the house was always a big job. First, the extension ladder was borrowed from my grandfather’s garage. Extension ladders in those days were not light aluminum ones; nevertheless, my father would walk to my grandparents’ home at the top of the street and come home carrying the wooden ladder while I sat on the porch and waited.

Blog Phot - Father and children on porch steps

No one ever painted over the old paint. Perhaps there were too many layers. A blow torch was used to soften up the old paint. The torch had a brass barrel, never as shiny as the ones that I see at auctions.

Next came the lighting of the gas.   This wouldn’t have stuck in my memory if my mother hadn’t been such a worrier. My mother expected an explosion whenever there was fire, gas, or even matches.  My father would quietly ignore my mother’s admonitions, light the torch and begin peeling the paint. It gave off a beautiful smell like burning leaves on a fall day.

Peeling the paint was right up there with helping my grandfather shave wood. Over and over, my Dad and I would clean off the old paint from the porch. Twisting off those silky strips of glistening paint and pulling ever so gently and slowly to try to get the biggest curl of paint yet.

Our porch served many duties. The huge baby pram with its great big belly like a whale was always on the porch. My baby brother always slept outside during the daytime – even on the coldest winter days – buried beneath piles of blankets with an old coat thrown over the top of the pram. It was Nana’s idea of child-rearing:  she insisted that children must sleep outside even in winter, and my mother had no choice but to follow her determined mother’s ideas.

Blog Photo - Baby in pram and Heather

The porch was also where I was put on house-cleaning day:  “Here – take your toys and play on the porch. No, you can’t come in until the floors are dry.”

There was no furniture on our porch. At the time, I never questioned why – but I remember the Duncans’ house down the street had a glider on their porch with striped cushions.

Ours was a ‘playing porch’ – an open porch with steel-grey painted wood floor and bars of white cut-out shapes with a smooth enamel green railing on top. The railing was just the right height for me at five years old to imagine that I was standing on board my pirate ship and waving goodbye to all those scalliwag friends of mine.

Out I would go into my land of adventure, sticking my head in every so often for more toys. Especially on rainy spring days, my friends and I would gather on the porch.

Blankets dragged from the house and kitchen chairs became Indian tepees or, more often, a pirate ship. The enemy was hiding just around the corner in the alleyway and the tepee or ship had to be put in just the right place so the baby carriage wasn’t bumped, setting off wails. Occasionally, we ventured off onto the lawn to retrieve weapons tossed overboard in the excitement of the moment.

That porch served us well as children. I couldn’t imagine a house without one.

It wasn’t until our own home was built that a glider was installed on the porch. It wasn’t quite the same with railings that were laminate and no paint to peel. And a cement floor would never be as fine as the shiny warm planks that served double duty as a pirate ship.Blog Photo - Porch Exterior Wide shot

THANKS TO HEATHER FOR THIS STORY.

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At Home With Valerie Rowley – Pt. 2

Interior designer Valerie Rowley and her husband Chris took a big risk in 1993 when they bought their future home.  For one thing, the countryside house north of Toronto was quite run-down.

“We immediately saw the potential but we hadn’t sold our existing house and it was during the recession.  So did we play it safe and wait?   Nah!  We bought it and just fervently hoped our other one sold (we were up against another bidder so really had no choice).”

The other house sold, in the nick of time.

Blog Photo - Val house steps with flowers Looking at the house today, you wouldn’t know all the work Val and Chris took on. Blog Photo - Val Patio “We virtually rebuilt the interior of this home.  And made the garden almost from scratch – unless you count the few scrubby six-foot cedars that we inherited. It took many years which is why we feel we have so much of ourselves invested in it.” Blog Photo - Vals Kitchen Val’s favourite interior spaces are the kitchen and sunroom.  Blog Photo - Val Sunroom“The sunroom is full of light all year round. It’s also where I raise my vegetable and flower seedlings, grow watercress, herbs and salads through the winter, take cuttings of summer geraniums. To have this area full of pink, salmon and red blooms through the snow season makes the monochrome of winter bearable.” Blog Photo - Val Homegrown SeedlingsFavourite outdoor spaces?
Blog Photo - Val flower Bed The garden is an important part of “home” for Val and Chris. Blog Photo - Val Peonies on hillside “Luckily, Chris enjoys physical work a lot more than I do, so it’s a good partnership.   I grow things and prune and he digs holes and chops down branches.  And we have a young weeding lady who is also a budding opera singer!” Blog Photo - Muskoka chairsIn late summer and early fall, there’s the harvest. Blog Photo - Garden Produce
It takes work. But as you can see from Chris’ smile, it’s work they love doing. They plan to keep doing it for as long as possible.

Blog Photo - Chris Apple Picking

Many people today are drawn to houses that look like they belong in a glossy interior design magazine. Valerie, an interior designer, and her husband Chris, a TV producer, didn’t do that.  They bought a run-down place and worked hard at it for 20 years.  Today, for this couple, this place is  — quite simply  — home.

“I guess because everywhere  I look, what I see is immensely satisfying to me,” says Valerie.   “The flowers (growing, not cut) that I always have everywhere, the artifacts that Chris and  I have accumulated from numerous foreign countries over the years, the carefully chosen furnishings and the general knowledge that we have constructed a home  that is very personal and comforting to the two of us.  It all works.”

Blog Photo - Val Home2

“We have no intention of leaving,” says Val, “ until we physically can’t handle the work it entails – and it does entail work!”

“It’s about staying as healthy as one can as one ages,” says Val.   “I think it’s important for everyone to realize life doesn’t have to stop when the wrinkles and aches and pains start. “

Bravo, Val and Chris. You’re an inspiration.

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Almost There – John’s House Pt. 5

Ever get the impression that this blog is my way of living vicariously through others?  That I write stories about people who do things I wish I could do — or used to be able to do?

If so, you’d be partly right.

But what John Garside is doing – almost entirely by himself – blows my mind.   And now, as he nears his self-imposed deadline for moving Ann and himself into their house in Prince Edward County, I find myself holding my breath every time a new email comes from John.

Blog Photo - John Yellow Room and Scaffold

Will this be the email where John finally confesses that he needs a break from all this work, and that – promise or no promise –  the idea of moving in this spring is ridiculously un-do-able?

But it never is.  Not when he has to repair major cracks in the coach house foundation (below).  Not when he undertakes the delicate restoration of original ceiling medallions.  Not even when he is clearing out the basement.

Blog Photo - Johns Coach House

Blog Photo - Johns House Medallion

A lot of the work has been onerous.  As for the basement, John says it “was very crowded — 100 years of clutter — and cut up with old wooden partitions etc.  This was totally removed by me. 6,300 lbs. of stuff!!”

Right now, John’s working on finishing up the library.

Blog Photo - Johns House Library in Progress

The more John restores the house, the closer he feels to it, and the more he learns about its past.   He’s made a few intriguing discoveries.  Like the original signatures of the first owner and his young son, written in concrete.

“William W. Bedell,” explains John, “was the father.  Willet V. Bedell was his only son.  The boy would have been only 7 or 8 years old when he did it.”

Blog Photo - Johns House  Signature in concrete

Sadly, Willet died as a young man.  It was during the First World War, “on a Troop Ship in 1917 en route to France”.

The second family to own the house were the Wards, though John doesn’t yet know who exactly “Envers” was.   There’s still a lot to learn about the home’s history.

Blog Photo - Johns House Name on wood

John’s original move-in date was April 30.  But life follows its own course.

Just a few weeks ago, John’s mother’s health declined suddenly.  She died within days.

This spring is a time of change for John, Ann, and family.

It’s also a time of renewal.

After a rough winter, a flock of tiny blue scilla flowers is blooming in the garden.  It’s one of the first flowers of spring.

Blog Photo - Johns House Blue Scilla

And inside the house, John keeps repairing and restoring.

Another room done, one left to go. Then, after all the cleaning up, comes the big move.

The movers are now booked for May 7.

We’re cheering you on, John!

Photos by John Garside.