A Good Home, Art, Artist

When Anger Leads to Art

Imagine: you’re an attorney in New York, dealing with brutal cases and people — some of whom are your colleagues.

One day, out of the blue, you discover a love for painting. At first, it’s only stress-relief.  Then onlookers start reacting. It seems you may have some talent.

Blog Photo - JJ Trees and city

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A wife and mother of two young children, JJ did her best to ‘leave the work at work’. But two years ago, she felt her frustration growing.

“Being a Black woman in the legal profession in New York City can be brutal. I have been bullied countless times by my White adversaries.”

Worse, she came to realize: “There is nothing fair about the justice system in America”. That was a heart-breaker; JJ had attended law school because she thought she could make “real change”.

Then she started to read news stories about another woman of colour being bullied — very publicly — in newspapers and online. JJ felt immediate empathy for her.  

“Seeing a hardworking, passionate, intelligent, go-getter woman of colour being demonized, dehumanized on a daily basis by a segment of the media not because of anything she has done, but because of her Blackness” triggered both a realization and an awakening. 

“The world will not change much as long as there are closed-minded people who would rather dwell on negativity than shedding light on the good in this world. It won’t change as long as people with public platforms continue to use their platforms to spread lies and half-truths. Some people have been suppressing their hate, waiting for the right moment to strike.”

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Blog Photo - JJ first art class - woman painting

During this time of growing frustration, JJ attended a friend’s bridal shower and was invited to take an art class there with other women.

Before it was over, she was hooked. 

Blog Photo - JJ 2nd painting

“Until that class, I never painted a day in my life.

“I got married immediately after law school, had my first baby within that year. I never even thought about taking a painting class until my friend’s bridal shower. I was suddenly hit with a realization that I probably missed my calling.”

She started to post her early paintings on social media.

blog-photo-jj-4th-painting.jpg

Blog Photo - JJ Woman and Baby

Encouragement turned into admiration. Admiration turned into purchases.

Blog Photo - JJ Trees and water

Stephanie, a Canadian buyer of one of JJ’s paintings says:

“I feel blessed to have watched and encouraged her growth as an artist. What inspires me is her expression of life with passion, strength and such beauty it literally hits me in the belly when I look at them. Whether it’s on social media or at my home where I have two gorgeous paintings, I smile with great pride for a sister of the soul.”

Blog Photo - JJ Waterfall-under-the-moonlight

JJ says painting allows her freedom.

“I can be brutally honest, and a lot of people don’t like honesty. Painting allows me to use my creativity as well as my honesty. Through my painting, I express myself freely without the constraint society places on women, especially a Black woman like myself.”

Blog Photo - JJ Waterfall3

JJ’s paintings arouse different emotions in the people who have purchased them or encouraged her to turn her hobby into her dream.

Blog Photo - JJ Trees3

Ava, who lives in Texas, says JJ’s paintings give her “instant peace and joy”.

“I like her paintings because they make me feel serenity and they have an effortless effulgence to them.  I think her work is professional and more than just a hobby. She has talent, the kind you are born with and the kind you have to work hard to achieve.”

JJ paints almost every day, and has recently launched her website myhobbyturns2dream.com .

Blog Photo - JJ Barn Village

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POSTSCRIPT:   JJ didn’t want to identify the woman who helped inspire her art “because so many use her name for the wrong reasons.”

I insisted. 

She then revealed: “I confess that without the hateful media campaign against Duchess (of Sussex) Meghan, I am not sure I would have looked for a hobby to channel my anger and frustration against racism.”

Blog Photo - JJ Sisterly

Quoting Michael Jackson’s lyric “Man in the Mirror”, JJ says that, with her paintings, “I’m starting with the woman in the mirror. I’m asking her to change her ways. And no message could have been clearer.” 

But her greatest realization was inspired by the duchess herself, who has persevered and succeeded, in spite of the hate against her.

“It made me realize I should not settle for anything less than greatness.”

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*The paintings above may not be replicated. Property of the artist.*

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At Home with Andrea Torrey Balsara

Two years ago, Andrea Torrey Balsara and her husband Nav bought a grand Victorian home surrounded by lawn, woods, and big old barns.

Blog Photo - Andrea Trees in Morning

“To me, the greatest wealth is to have nature around me. To now be on a property where there are old trees, squirrels, wildlife…it is such a blessing that I had given up on ever having.

“This place came out of the blue for us, as we had resigned ourselves to subdivision living. Initially, the property was what attracted me, but I have since grown to love the old house, too; there is a spirit and charm to it that really touches me. For the first time since I was a child I feel I am truly home.”

Blog Photo - Andrea view to the barns

Blog Photo - Andrea and Maisie

Andrea is a storyteller – she writes and illustrates books for children. Characters include Greenbeard the Pirate Pig and Happy the Pocket Mouse.

Blog Photo - Andrea Swashbuckling Guinea Pig

She fell in love with pictures early.

“One of my first clear memories is at 6 years-old, reading a picture book. I say ‘reading’, but really I followed the story by the exquisite art. I remember a feeling of yearning come over me to make pictures that were so beautiful. I also grew up on Donald Duck comics. I didn’t realize until many years later that I never usually read the comics, just followed the pictures. The visual sense of humour that I have in my drawings is totally influenced by the cartoonist Carl Bark’s Donald Duck comics.”

Blog Photo - Andrea Mouse Vacation

“With my picture book, Greenbeard the Pirate Pig, I was finally able to write and illustrate a book. Since then I have also illustrated the Happy the Pocket Mouse series, written by Philip Roy, through Ronsdale Press. Book 4, Mouse Vacation, came out in October 2016. Illustrating without writing the book is a whole new experience, and one which has taught me a lot about collaboration.”

Blog Photo - Andrea in Office

Andrea calls her work space her ‘art loft’.  “Really, it’s the former servants’ quarters. The stairs going up are grooved from the generations of servants going up and down the stairs. I love feeling connected to the history.”

From the window, she sees an expanse of trees, yard and old barns.

“I can’t believe I have barns!”

Blog Photo - Andrea Barns and hydrangea

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Knowing her passion for art, you may be surprised to learn that Andrea once dropped art altogether after getting a C in Grade 8.

“It was so devastating to me that I vowed never to share my art again. A drastic reaction! At that age, my sense of confidence was non-existent, so the grade felt like a defining moment to me. I avoided art classes after that, as I didn’t want to have my love of art taken from me. Odd kid-logic, I know.

“Now I feel I have so much catching up to do with people who have gone through art school; it’s made it a much longer learning curve for me to learn how to illustrate a book.”

Blog Photo - Andrea in Living Room

Writing and illustrating children’s books — here, in her beloved home — is a blessing. Andrea doesn’t only produce them — she loves reading children’s books.

“I guess because in many ways I still feel like a kid myself. I went through a traumatic experience as a small child, and a part of me is still that age. I don’t relate to many of the books meant for adults as I often find them cynical, incredibly violent, and gratuitously sexual. I love the innocence and openness of children’s books. There is a joy to it that writing for adults doesn’t have.

“In children’s books it’s not only okay to have hope, and to believe that the world is a place of beauty and love, it is essential. Even the books for adults that I love come from a place of childlike innocence and the belief in the nobility of the human spirit.”

Blog Photo - Andrea Trees in spring

As with her art, care for her home has been a labour of love. She loves the living room because it now feels homey. But the house is old and required a lot of work.

“It took me time to love the house, as initially it smelled musty and the windows were decrepit, with bugs living between them and the storm windows. It was sweltering in the summer and infested with cluster flies. I bought a vacuum I could strap on my back, with an extension wand to reach the high ceilings, and wielded it like Luke Skywalker fighting the Evil Empire. Then, in our first winter (last year), we froze. I now own several sets of long underwear (thank-you, old house!)

Blog Photo - Andrea Living room

“Thankfully this winter, with the new radiators we had installed, it has been snug. Now that we’ve sorted out some of its issues I love our old Victorian home’s uniqueness.”

Here in this unique home, Andrea is also completing a young adult novel called The Great and the Small.

It’s about a colony of rats, led by a charismatic chairman, who are waging a war to exterminate humanity using the bubonic plague. The only thing between annihilation and life is the chairman’s nephew Fin who is rescued from certain death and nursed back to health by a teenage girl. Fin grows to love the girl, and realizes that what his uncle has told him about ‘two-legs’ is wrong. Now he has to choose: follow his uncle whom he adores, or turn against him and rebel.”

Home, family, art — Andrea appears to be in a very good place. Her husband Nav and daughters are her greatest supporters. And there’s other joyful news: her older daughter will be married at the beautiful family home this fall.

A Good Home, Anglican Church, Architectural Conservancy, Art, Artist, Authors, Beautiful Neighborhoods, Birds, Bond Head, Canadian History, Canadian life, Canadians, Country Homes, Country Living, Country roads, Episcopalian Church, Family, Family Stories, Famous Places, Frederick Farncomb, Furniture, Heritage Homes, historic neighborhoods, Historical Society, Homes, Interior Design, John Farncomb, Life in canada, Newcastle, Newcastle Historical Society, Restoration Award, Restoring old houses, The Farncombs of Bond Head

Loving and Leaving Ebor House – Pt. 6 – Conclusion

Ron Coffin did such a great job restoring Ebor House that he was honoured for it.

Blog Photo - Ebor House MBedroom other view

He received the Newcastle Village and District Historical Society’s Preservation Award in 2011.
Blog Photo - Ebor House Master Bedroom

He also opened the house to the community on an architectural conservancy day and 600 visitors came.

Blog Photo - Ebor House Library

A pianist played beautiful music.

Blog Photo - Ebor House Living room reverse

The visitors toured the grand old house, admiring the furnishings and paintings, old and new.

Painting by George Forgie
Painting by George Forgie

Ron has invested untold time, love and money into his home.

“This place has nurtured me. Not just me but others too. One friend stayed here in the winter, healing from an accident. It’s nurtured her.”

The children are grown up. Ron says it’s time to leave. Ebor House is too big for one person.

He looks around at rooms sparkling with sunshine, beauty and a strong sense of well-being.  He tells me yet another story about the house and the Farncombs. He calls each family member by first name.

I say:  “You don’t sound like a man who’s selling this house.”

He says he is.  

“I truly believe the house is looking for a buyer, rather than a person looking for this house. It’s a very special place.  Last evening four of us had a wonderful supper under the trees and at the end of our meal we were visited by one of the hawks that have decided to call this place home this year.  Just magical!”

Blog Photo - Ebor House back lawn

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As for me?

It started when I got lost a few weeks ago and saw this house.

I wanted to know more.

Blog Photo - Ebor House Front 2

But the single discovery that kept me searching was the August 1901 New York Times story about the drowning of the two Farncomb boys.

My heart sank when I read it.

A parent myself, I wanted – perhaps even needed –  to know that things turned out well for the family.

Of course — since this is real life and not a fairy tale — they did and they didn’t.

**

The Farncomb family survived and, over the decades, many thrived.

John and Jane and the boys were not forgotten.

Blog Photo - Ebor House Entrance and Stairs

But life had to go on, at least after a while.

And so it did.

Dorothea, Frederick and Jane’s only daughter, was a woman of strong faith who wrote for the Farmer’s Advocate, and published religious books. Other Farncomb descendants became successful in Canadian business, education, law, medicine and other fields such as literature and media.

Family members still own property in Bond Head, and still have influence. In 2002, one descendant (among other residents) protested against a plan to change the name of a local street. He argued it made no sense. He also pointed out that Farncombs had lived there for 150 years and that he owned much of the land in the area.

His side won.

Blog Photo - Bond Head main street

**

My interest in a house became a story about a multi-generation family. Their joys, sorrows, achievements. Their lives.

The trail had many twists and turns, and sometimes, they alarmed me.  Combing through the city of London’s archives, I found a court case involving slave-ship owners. Thomas Farncomb, the wealthy ship owner who became London’s Lord Mayor, was involved.

A descendant of enslaved people myself, my hackles immediately went up.  Had I spent all this time researching a house built with money earned from the slave trade? After all, it was Frederick Farncomb’s inheritance from his uncle Thomas that was used to build Ebor House.

I was relieved to discover that Thomas had been brought to court by two men whom he had disparaged over their ownership of slave ships.  It appears he was opposed to the slave trade.

There were other discoveries along the way.  Some are included in this story, and some are not.

I double-checked each of my findings, then asked homeowner Ron and Myno Van Dyke, secretary of the local historical society, to read much of what I’d written. I thank them for their help.

I conclude the series knowing I’ve done my best to make it fair, factual — and kind. There is much more to the story of Ebor House and its family than I’ve written here, but this is the story I wanted to share.

One Farncomb descendant is writing a historical novel on Dorothea Farncomb and the family.  Another, Balfour Le Gresley (who sold the house to Ron), has studiously researched his family history. I decided to leave it to them to make their own discoveries and decide what to share. (Though I’ve met them both, neither contributed to this series in any way.)

Click here for the epilogue in the Ebor House series: https://cynthiasreyes.com/2014/08/15/get-lost-cynthia/

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This series is dedicated to the descendants of Frederick and Jane Farncomb.

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Thanks to: Newcastle Village and District Historical Society; Library and Archives Canada; Archives of the City of London, England; Trinity College, Port Hope; Canadian Anglican Church;  St. George’s, Newcastle; the Canadian Encyclopaedia; The New York Times and several other Canadian and American newspapers; other sources. Some photos of Ebor House came from Promise First Realty’s website.

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It’s A Wild Life

It is a truth universally suspected that a family in possession of a wildlife painting must be in need of some wildlife.

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Years ago, my husband’s family had a farm and he and I became custodians of it. The farm was on a hilltop so we cleverly named it Hill Top.

Husband, children and I summered and weekend-ed there. I loved that farm and wanted a name sign for our front gate.  So my husband commissioned a local artist to make one for my birthday.  Author-illustrator Beatrix Potter – she of Peter Rabbit fame and a farmhouse named Hill Top — came to mind.

Blog Photo - Rabbit Painting wide shot

The moment that sign went up, Peter Rabbit, his parents and all their friends took up residence in our gardens.

They ate us out of home and land. As soon as we planted vegetables, herbs and flowers, they ate them.  There was soya and wheat growing in the fields. But why travel so far, when there’s good stuff nearby?

My husband couldn’t bring himself to hurt them — not with that sign out front. So there we were, hoist on our own petard.

Blog Photo - Rabbit Painting Mushrooms

When our family moved to another home, there were no rabbits — we thought.

Blog Photo - Rabbit Painting Mushrooms2

And then two auspicious things happened:

We visited the old farmhouse.  Our daughter noticed that the new owners had removed the Hill Top sign and begged them to give it back. They graciously agreed.

Blog Photo - Rabbit Painting CU of Rabbit Face

Soon after, our resident red fox – a predator of rabbits — upped and died. It might have been the sight of the sign that did it.  But there was his carcass, lying across our stream.

It took gallons of expensive fox urine to protect our gardens that year. (If you want to learn more about that inauspicious episode, you’ll have to read my next book.)

And now?

Years after moving to our current farmhouse, we’re besieged by wild rabbits — again. Squirrels too, but they don’t eat shrubs, herbs,  flowers and vegetables.

Blog Photo - Rabbit Painting Squirrel

Last winter, the rabbits were so starved for food that they ate all my clematis vines, plus the barks of several tender young trees and shrubs.

My husband did a very manly thing: he shouted at them.  The rabbits ran  — and immediately returned.

We decided to sympathize. Wild rabbits, too, have to eat.

But soon it was spring — time to plant vegetables.

Husband decided the rabbits should be moved to a nearby nature park.  He set a humane trap filled with things that Beatrix Potter said wild rabbits love: carrots and lettuce and cabbages. But we might as well have posted a sign saying: “This is a rabbit trap.”

Blog Photo - Rabbit Painting Medium CU

Truth is, these particular rabbits mostly eat grass and clover so far this spring.

Blog Photo - Rabbit cleans self

Truth is, our daughter has named them Fred and Penelope. (At least, she thinks there are only two. But where there are two, there are — or soon will be — a dozen.)

Blog Photo - Rabbit thinks he's hiding

And truth is, my husband has put the sign up again.

Methinks it’s a sign of surrender.

Blog Photo - Rabbit Painting CU of Rabbit Face

 Photos by Hamlin Grange.