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At Home with Sandra Walton-Ball

David Walton-Ball opens the door of his summer home, east of Toronto, and is greeted by a child looking up at him:

“Can Sandra come out to play?”

Blog Photo - Artist Sandra and David in Orchard

Sandra — you may be surprised to hear —  is not a child.

Blog Photo - Artist Sandra's Studio Wall

She’s David’s wife, a talented artist whose work hangs in galleries in Canada and Mexico.

Blog Photo - Artist Sandra Painting of Island

Blog Photo - Artist Sanda Painting side viewNeighborhood children gravitate towards her and she loves them. So she teaches children to create their own artwork.

Blog Photo - Artist Sandra and Student

She and the children have developed a system at her small studio at the summer house.

Blog Photo - Artist Sandra stands at work table

If this sign is up, Sandra can’t come out to play.

Blog Photo - Artist Sandra's Sign

In Mexico where she and David spend the winter, Sandra teaches art to children whose parents can’t afford to pay for lessons.

“We put on Andrea Bocelli and the children sing along.”

San Miguel de Allende is home to many artists from Canada and the U.S.

Blog Photo - Artist Sandra and Leonard's painting

Years ago, Sandra met Leonard Brooks, an esteemed artist who started the Canadian and American migration to San Miguel. They became friends. That’s one of his paintings behind her, above.

Music playing, the children in her studio sing and paint. This is her gift to them and their families: encouraging the children’s creativity. She introduces them to the styles of Mexican artists such as Frida Kahlo.

Blog Photo - Artist Sandra Gesticulates

You wouldn’t know that, nearly 20 years ago, Sandra was so ill, she was on life support for months. It took her 15 years to start painting confidently again.

Blog Photo - Artist Sandra Reaches for brush

Once recovered, she decided to take more risks with her art. And so wherever she is – in Owen Sound, the family’s main base, or in San Miguel de Allende, or here at the summer home near Toronto, she’s painting – doing “gutsier and more experimental work”.

Blog Photo - Artist Sandra's Yellow Flower painting

“When something happens to disrupt your life, you recognize that things can happen and you may not get a chance again – so you start taking risks.”

Blog Photo - Artist Sandra's Framed painting Abstract

David hired someone to turn half of the garage into a studio with skylights, and there’s been no looking back.

Blog Photo - Artist Sandra Studio Outside

Generations of the Walton-Ball family have lived in Historic Bond Head for about 150 years.

During World War 2, the family planted and supplied potatoes to all their neighbours.

(Another historical tidbit: David’s first ancestor in Canada is the “Walton” for whom Port Hope’s main street is named. Port Hope, a famous heritage community, is near Bond Head.)

Blog Photo - Artist Sadnra window garden

Through 50 years of marriage, Sandra has seen how special the place is to David. It’s grown on her.

Blog Photo - Artist Sandra in Sunroom wicker chair

“I fall in love with it each summer. Each year my garden grows. And now, like Virginia Wolfe, I have a room of my own, so it’s easier to find my heart.” 

They love this place for the history, the house, the studio, the family times, the garden and the orchard. Some of the apple trees are more than a hundred years old.

Blog Photo - Artist Sandra and David Picking apples

One summer, Monarch butterflies visited Sandra and David here. (Monarchs fly from Mexico all the way to Canada each summer and back.)

“You couldn’t see a leaf,” Sandra says. “The trees were covered with Monarchs.”

That magical event led to this painting….

Blog Photo - Artist Sandra Butterflies CU

Blog Photo - Artist Sandra's Butterfly painting

… and a gift: a butterfly chair from David.

Blog Photo - Artist Sandra and Chair

“Perhaps the Monarchs were saying thanks for all your good works with the children in Mexico?” I ask.

“Perhaps,” Sandra replies.

Blog Photo - Artist Sandra Wheelbarrow with flowers

To learn more about Sandra’s work, or to acquire her paintings, email: swaltonball@gmail.com

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Loving and Leaving Ebor House – Pt. 6 – Conclusion

Ron Coffin did such a great job restoring Ebor House that he was honoured for it.

Blog Photo - Ebor House MBedroom other view

He received the Newcastle Village and District Historical Society’s Preservation Award in 2011.
Blog Photo - Ebor House Master Bedroom

He also opened the house to the community on an architectural conservancy day and 600 visitors came.

Blog Photo - Ebor House Library

A pianist played beautiful music.

Blog Photo - Ebor House Living room reverse

The visitors toured the grand old house, admiring the furnishings and paintings, old and new.

Painting by George Forgie
Painting by George Forgie

Ron has invested untold time, love and money into his home.

“This place has nurtured me. Not just me but others too. One friend stayed here in the winter, healing from an accident. It’s nurtured her.”

The children are grown up. Ron says it’s time to leave. Ebor House is too big for one person.

He looks around at rooms sparkling with sunshine, beauty and a strong sense of well-being.  He tells me yet another story about the house and the Farncombs. He calls each family member by first name.

I say:  “You don’t sound like a man who’s selling this house.”

He says he is.  

“I truly believe the house is looking for a buyer, rather than a person looking for this house. It’s a very special place.  Last evening four of us had a wonderful supper under the trees and at the end of our meal we were visited by one of the hawks that have decided to call this place home this year.  Just magical!”

Blog Photo - Ebor House back lawn

**

As for me?

It started when I got lost a few weeks ago and saw this house.

I wanted to know more.

Blog Photo - Ebor House Front 2

But the single discovery that kept me searching was the August 1901 New York Times story about the drowning of the two Farncomb boys.

My heart sank when I read it.

A parent myself, I wanted – perhaps even needed –  to know that things turned out well for the family.

Of course — since this is real life and not a fairy tale — they did and they didn’t.

**

The Farncomb family survived and, over the decades, many thrived.

John and Jane and the boys were not forgotten.

Blog Photo - Ebor House Entrance and Stairs

But life had to go on, at least after a while.

And so it did.

Dorothea, Frederick and Jane’s only daughter, was a woman of strong faith who wrote for the Farmer’s Advocate, and published religious books. Other Farncomb descendants became successful in Canadian business, education, law, medicine and other fields such as literature and media.

Family members still own property in Bond Head, and still have influence. In 2002, one descendant (among other residents) protested against a plan to change the name of a local street. He argued it made no sense. He also pointed out that Farncombs had lived there for 150 years and that he owned much of the land in the area.

His side won.

Blog Photo - Bond Head main street

**

My interest in a house became a story about a multi-generation family. Their joys, sorrows, achievements. Their lives.

The trail had many twists and turns, and sometimes, they alarmed me.  Combing through the city of London’s archives, I found a court case involving slave-ship owners. Thomas Farncomb, the wealthy ship owner who became London’s Lord Mayor, was involved.

A descendant of enslaved people myself, my hackles immediately went up.  Had I spent all this time researching a house built with money earned from the slave trade? After all, it was Frederick Farncomb’s inheritance from his uncle Thomas that was used to build Ebor House.

I was relieved to discover that Thomas had been brought to court by two men whom he had disparaged over their ownership of slave ships.  It appears he was opposed to the slave trade.

There were other discoveries along the way.  Some are included in this story, and some are not.

I double-checked each of my findings, then asked homeowner Ron and Myno Van Dyke, secretary of the local historical society, to read much of what I’d written. I thank them for their help.

I conclude the series knowing I’ve done my best to make it fair, factual — and kind. There is much more to the story of Ebor House and its family than I’ve written here, but this is the story I wanted to share.

One Farncomb descendant is writing a historical novel on Dorothea Farncomb and the family.  Another, Balfour Le Gresley (who sold the house to Ron), has studiously researched his family history. I decided to leave it to them to make their own discoveries and decide what to share. (Though I’ve met them both, neither contributed to this series in any way.)

Click here for the epilogue in the Ebor House series: https://cynthiasreyes.com/2014/08/15/get-lost-cynthia/

**

This series is dedicated to the descendants of Frederick and Jane Farncomb.

**

Thanks to: Newcastle Village and District Historical Society; Library and Archives Canada; Archives of the City of London, England; Trinity College, Port Hope; Canadian Anglican Church;  St. George’s, Newcastle; the Canadian Encyclopaedia; The New York Times and several other Canadian and American newspapers; other sources. Some photos of Ebor House came from Promise First Realty’s website.

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A Man in Love With a House – Pt. 2 in the Ebor House Series

The moment Ron Coffin saw Ebor House,  he was smitten.

He hadn’t been house-hunting in Bond Head – a small historic area consisting of just a few country roads on Lake Ontario, east of Toronto.  But Ron felt mysteriously drawn to both the house and its location.

“It’s like being in another world here. You even have to go through a series of entrances to get to this home. The first entrance is a bridge that you have to go under when you leave the highway. Then there are the gates to the property. Then there are 2 entry doors before you can come into the house.”

Blog Photo - Ebor House Gates

He also hadn’t planned to buy this house.

“It was for sale for a couple of years and a friend said I should see it. I saw it and said, ‘My God!’  I fell absolutely in love with it.”

Ron didn’t know the house’s history.  He didn’t know that it had belonged to generations of an illustrious Bond Head family whose close relatives included two Lord Mayors of London, England. Blog Photo - Ebor House 

Blog Photo - Ebor House Entrance

What he saw was a house badly in need of repair. Outside, four acres of weed-choked land surrounded the grand old house and barn.

Blog Photo - Ebor House overgrown lawn

Inside, the rooms were derelict.

Blog Photo - Ebor House derelict Room 1

Cobwebs hung from the ceilings.  The rooms were crammed with old contents.

And there was that stuffy, old-house smell everywhere.

Blog Photo - Ebor House Derelict Room 3

But the  house spoke to him and he answered. Ron was a man in love.

**

It was 8 years later when I knocked on Ron’s door.

As Ron welcomed me into his house, there were no signs that it had once been in disrepair. The place glowed from the love and attention he had lavished on its restoration.

We sat in the refurbished kitchen, sipping coffee.  I had questions and the first was the most obvious.

“What possessed you — to take on such a daunting task?” I asked.

Blog Photo - Ebor House Kitchen and side door

“In life there are things you have to do,” he replied. “Some people have to climb Everest. I had to do this.”

Blog Photo - Ebor House Ron Smiling

I understood, sort of.  I remembered the magnetic pull I’d felt as I sat gawking at the house and surrounding property. It had drawn me back here today. 

Ron, a single parent, has four children and a dog. He ran his own business.  He also had “a huge interest in Canada’s architectural heritage and how it fits into its time”.  

He hurried to begin the restoration.

“I made the common mistake of plastering the walls and painting, then realized the roof was leaking”, he said. “The house also needed all new plumbing, heating and wiring. So I had to rip out some of that work and start again.”

Luckily, the seller still had the architectural drawings from 1867,  the year Canada became a nation. (Construction on Ebor House started the following year.)  Those drawings convinced Ron that he was on the right track.

Blog Photo - Ebor House Dining Room full

Fortunately, also, some chandeliers and furniture  – such as this Jacques & Hay sideboard on the right – were still in the house, where they’d been since 1869.  Ron bought other period furnishings – including lighting, paintings, mirrors, and other furniture — after meticulous research.

Blog Photo - Ebor House Green Room with portait and walls and furniture

Sometimes he felt like a detective trying to solve a mystery.

Blog Photo - Ebor House Living Room

The house and grounds provided clues that helped him along the way.

The pantry doors were found in the barn. Old pennies were found under the lawn.  Ron thinks the pennies, found together,  likely fell from someone’s pocket during a picnic.

Blog Photo - Ebor House back lawn

Blog Photo - Ebor House Canadian penny 1858

The more Ron learned, the better he understood how people lived in the late 1800’s and early 1900’s.

Blog Photo - Ebor House entrance inside

“One thing I learned was how the double front doors were used. On days when the family was receiving guests, they’d open the outer door, while the inside door was closed. That would signal that visitors were welcome.”

Ron also became deeply interested in the Farncombs, who built the house and lived here for more than 130 years.  He shared with me what he knew.

I should have stopped there, but I was already hooked. I needed to learn more. And that would lead me to a powerful story that was both joyful and heartbreaking.

**Click here for Part 3: The Farncombs.